The Last
@ Brennan's Irish Pub
It's
been a long time, but The Last finally played a show
at Brennan's Irish Pub in Marina Del Rey, CA, supporting
Cockeyed Ghost. The turnout was very good. I was so happy
floating around the bar, running into so many faces from the past.
Among them were Gary Stewart of Rhino Records
(former Last manager), Dale Turkle (Earwigs), Tom
Underhill (former Last guitarist), Don Williams (webmaster
for Wednesday Week's site, and videographer for numerous
Last concerts in the '80s), Kelly Callan (Wednesday Week
I'm sure Heidi was there, too, but I didn't see her),
Deanne Nolte (Joe's ex-wife, who drove Joe's current
girlfriend (and Last bassist) Missy to tonight's show), Kevin
Samera (Common Thread Project), and so many others (but
most especially my old friend from grade school, Adam Gonzales,
who I haven't seen in 18 years)!
The Last played
a great set, especially considering they had only 2 rehearsals,
and the fact that the vocals could barely be heard (perhaps I was
sitting in a bad part of the bar, though). The lineup tonight was
Joe Nolte (of course), Mike Nolte (keyboards, vocals),
David Nolte (bass), Luke Lohnes (guitar), and Robbie
Rist (drums). They opened up with a strong version of "Bombing
of London," then paid homage to George Harrison with
the Beatles' "Don't Bother Me." A highlight of
the set was a very melodic version of the normally hardcore "Go
Away Girl." We'll have to get that version recorded. A strong
set was ended with a powerful version of "She Don't Know Why
I'm Here," much to the enthusiastic audience's delight.
There was a nice
blurb in the LA Weekly announcing the show, thanks to Leaving
Trains' Falling James:
| While L.A.'s
late-'70s rivalry between pogoing punks and skinny-tied new-wavers
never matched the intensity of Britain's mods-vs.-rockers violence
in the mid-'60s punks here were more threatened by the
very real prospect of LAPD beatings than by power-pop geeks
the mutual contempt and bitter separation of the two
scenes was real, pointless as it seems now. The Last were one
of a few groups at the time think Flaming Groovies, the
Zippers or the Real Kids that could convincingly travel
in both worlds, aggressive enough to appear with punks like
the Gears, the Avengers and the Alley Cats, and melodic enough
to fit in with 20/20 and the Plimsouls. Even singer-guitarist
Joe Nolte's angriest songs, like the epic "Difference,"
which decries those police riots, are infused with a diehard
romantic's melodicism and layered with ruefully pretty harmonies
and 12-string-guitar jangle. Need convincing? Ask Mike Watt,
who recently covered the Last's proto-pop-punk classic "She
Don't Know Why I'm Here." |
|